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SpreadsheetThis is an Excel spreadsheet with a comprehensive list of all the fronimo files on the website. It should reflect the approximate current state of the data. It also contains hyperlinks to fronimo, midi, and pdf files for each entry. For each piece listed, it has 26 fields that contain other data, such as key, type of piece, instrumentation, source, and difficulty. If you can read this file, that is probably the easiest way of finding things. If you don't have a spreadsheet program installed on your computed, you can obtain a free one from "LibreOffice". LibreOffice does what MS Office does, with just a few differences, and it can open MSOffice files.
19Jun21: Posted first 50 pieces from Uppsala HS 87 (c1570). These are vocal intabulations of chansons and madrigals, with a motet by Jean de la Fage thrown in. The document is quite free of errors, mostly because the scribe wrote in frequent corrections and emendations onto the manuscript. One idiosyncrasy of this MS is that the scribe often avoided dotting the rhythm flags and instead inserted a blank space under the following flag instead, making it appear as a rest. To make it more confusing, in looking at the vocal models, some of these are supposed to be actual rests. I have tried to follow the vocal model, where available, in making this judgment. The intabulations are good but not quite as skilled as Hove's, adhering fairly closly to their vocal model, with occasional diminutions and cadential ornaments. One of them is by Francesco da Milano, with an intabulation of the same piece (Martin menoit) by Clément Janequin. Many intabulations are of pieces by Vincenzo Ruffo, with other pieces by Arcadelt, Jacques Clément, etc.
04Feb21: Posted the preludes and fantasias from Mathias Reymann Noctes Musicae (1598). This is truly an exceptional source: virtually error-free. There is sometimes difficulty in distinguishing c's from e's, but it is usually fairly clear from the context. The material is of exceptional quality as well. All are original works by Reymann and all quite virtuosic and very beautiful. Reymann is shaping up to be one of my very favorite composers. Several are very inventive fantasias on popular Lutheran hymns.
23Jun20: Completed work on Francesco Spinacino Intabulatura de Lauto, v.1 (1507). This is apparently the earliest printed lute book, printed by Ottoviano Petrucci, also the publisher of Odhecaton.Despite its early provenance, the music is quite sophisticated, and the printing is very clear and relatively error free.The pieces are generally of medium difficulty, with only a few easy and a few challenging items.The book contains many well put together intabulations of songs from Odhecaton, hardly surprising since they share the same publisher.It also contains 5 lute duets, which are rather a nightmare to edit, containing many gratuitous dissonances. I have not tried to correct these, and I present them in all their original ugliness. Perhaps I will take on the project of attempting to make these playable in the future, or maybe someone else has taken on or will take on this burden, in which case I could use the help.There has been a fronimo encoding of these pieces and of those in v.2 that has been hanging around for over 20 years. I have never been able to obtain permission to use these files, so I have decided to bite the bullet and work directlyfrom the source facsimiles without consulting those files, since this is one of the most important lute books,and it's high time it got out into the public domain.
21May20: Completed work on Hans Newsidler Ein New Künstlich Lauten Buch, v.1 (1547). This was encoded and mostly edited and formatted by Rainer Boldhaus, who produced an almost error-free edition. Kudos! This volume was mainly directed toward very young students and contains very simple pieces.
18May20: Completed work on Bernadino Balletti Intabolatura de Lauto (1554). All dances, mostly galliards. I have been unable to identify who did the work of encoding these pieces, but whoever it was did a terrific job of producing almost completely error-free editions.
12Jan19: Completed work on Sulzbach MS, v.2 (1536), another primary Milano source. This one is in Neapolitan lute tab (Spanish tab with all numbers one higher). The Sulzman sources are sometimes more error free than others, such as the Siena Lute Book, Paris MS.rés.429, and Milano (s.d). Thanks to Arthur Ness, who told me that ties across a bar line are indicated in the Sulzman sources as a simple repeat of the chord in the second bar. He also helped me identify a piece (16.ricercar in Sulzbach) as Ness #95.
31Dec18: Completed work on Benedikt Drusina, Tabulatura continens... (1556), a German tab source. The source is extremely clear and relatively error-free. Arne Keller and Jason Kortis intabulated the work in fronimo format several years ago, saving me a great deal of work. For my part, I proofread the work against the source, did some minor editing, and changed it over into the preferred format for my website. So kudos to Arne and Jason for this and their many other major contributions to getting lute music out.
19Jul18: Just completed work on Paris Réservé 429, consisting of 494 pp. of lute solo music in Italian tab. The quality of the music is very high, and relatively free of errors compared to many other sources. This source also contains many ricercare by Milano, as well as several intabulated chansons and madrigals, and passamezzi, galliards, and saltarellos. In the facsimile I have, many pages are difficult to read because they are extremely faint, but paying for the effort in eyestrain, and using a very large screen, I believe I was able to suss them out correctly. Again, Art Ness was extremely helpful with this project. Any errors, however, are my own. 2ff7e9595c
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